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Pop
Open the Bubbly |
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Producer Beau Flynn's short career has certainly not been one that has strived to stay "between the lines." With both Tigerland and Requiem for a Dream, Flynn pushed and passed countless lines of establishment...which has helped endear him and his work to so many. Flynn teams up with director Blair Hayes in delivering his latest creation, Bubble Boy. Bubble boy is an irreverent-road-trip-story that pokes fun at just about any group you can name yet under all the comedic-jabs it attempts to share some positive messages. With the storyline of a young man, born with immune deficiencies, trapped in the confines of his bubble-room and then bubble-suit, and in pursuit of the girl he loves, just about anything could go...and it does. Meeting every sort of societal-oddity possible, the bubble boy, Jimmy Livingston, has one adventure after another in the course of his quest. Composer Danny Elfman might be the first to come to mind when thinking of the perfect fit for such a film...at least he would have been a decade or so ago. Instead, composer John Ottman, no slouch when it comes to sheer range, was brought on to provide the score for Bubble Boy.
Bubble Boy is one
of those films that one
must expect the
unexpected and so goes
the score. Like
many comedy-scores,
there are a dozen or
more musical genres
exploited
and a handful of
familiar themes from
other films and pop
culture as well. From Ottman's quote of
"America the
Beautiful" in track 1, to
his use of Bill Conti's
famous theme from
Rocky (performed in
a surprisingly faithful
manner to the original)
in track 12, Bubble
Boy is constantly
grabbing the listeners
attention. If that
isn't a wide enough
variety, there is the
bluegrass influenced Bus
Stop (7), the hip-hopped
Next Stop (14) and
Daydream (19), and the
sitar-lead, Cows and Ice
Cream
With all its variety,
Bubble Boy does have
at least one thread that
keeps the whole thing
tied together - the main
theme. On the
soundtrack, it is most
frequently heard being
performed by either
synthesized or live
chorus. The
soundtrack is launched
by one of its clearest
performances in Ottman's synthesized
demo of Birth of Bubble
Boy
Contrasting the
aggressive levity, John
Ottman also touches the
emotional-heart of the
film. Heartbroken
(3) and Reunion
Overall, Bubble Boy is a fun score that is bold, no matter what style of music the sequence from the film might require. One word people won't be using to describe this Ottman project is "shy." The wide ranging score is similar to, but exceeds in large part because of its full orchestral performance, Mark Mothersbaugh's score to The Adventures of Rocky and Bullwinkle. John Ottman's work is right up there with composer John Powell (Just Visiting, Evolution) and may have even trumped him on sheer "zany-ness." Fans of some of Danny Elfman's work of the late eighties and early nineties will should find Bubble Boy the scratch for that "itch." Varese Sarabande gives a fitting treatment to the score with almost 40 minutes of music and the high quality recording begs to be blasted in your car, home theatre system, or headphones. Track Listing and Ratings
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*The Experience-O-Meter displays the track to track listening experience of this soundtrack based on the 5-Star rating given to each track. It provides a visual depiction of the ebbs and flows of the CD's presentation of the soundtrack.
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Referenced
Reviews |
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