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Enter the Matrix
Composed by Don Davis and Erik Lundborg
Promo Release (2003)
Rating:
7/10

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In
My Path...You're Dead (303 kb)
Eat
this, Jerk!
(311 kb)
Zen
Garden
(362kb)
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“Suffice it to say
that the score
from ENTER THE
MATRIX will
likely satisfy the those who truly appreciate Don Davis' work for
the franchise. It contains most all of the same beats and
textures yet remains distinct enough to warrant a separate
listen...if you can obtain one of the rare promos. ”
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Playing in The
Matrix
Review by Christopher
Coleman
Ok. Let's
admit it. It
wasn't long after
first seeing
1999's THE MATRIX
that many of us
thought, "How cool
would it be to be
able to play
around in The
Matrix?
Fight like a Shaolin master,
fly like Superman,
or bounce off
concrete like
Wiley Coyote?
Oh yeah!
Sure...we might
have to be a pale,
hairless battery
in exchange for
such e-powers, but
still, how cool
would that be?"
In continuing to
push the envelope
of interactive
story-telling, the
Wachowskis, while
working on the
sequels to the
original Matrix
film,
were also involved
in the production
of THE ANIMATRIX,
a series of
animated shorts
released directly
do DVD, and ENTER
THE MATRIX, the
first video game
of the franchise.
Unique to this
franchise was
their choice to
integrate
sem-important beats of
the story that
playout in the
animated shorts
and game, both
before the events
of THE MATRIX
RELOADED and then
in parallel.
This move was a
first in getting plot
information out,
through such
mediums, that
directly tied into
a feature film
which had yet to
be released.
While ENTER THE
MATRIX was poorly
received by the
gaming community
in
terms of its
gaming dynamics,
several important
story points are
played out.
The cut-scenes
used in the game
were filmed in 35
mm and later
included in the
DVD release of The
Matrix Reloaded Revisted and in
the HD-DVD release
of The Ultimate
Matrix Collection.
While the game's
story centers
around the
characters of
Ghost and Niobe,
who have smaller
parts in THE
MATRIX
RELOADED, we
also get
information
regarding other
key characters
like: The
Oracle, the
Merovingian,
Persephone, and
Sati.
One of the
striking
characteristics of
the Matrix movie
franchise has been
the unique mix of
Don Davis' punchy
score with
penetrating
electronica/metal
tracks. The
game developers
wisely continued
this combination
with measured
success throughout
the game.
The full
soundtrack of the
game contained
many licensed
electronica pieces
by familiar
artists such as:
Rob Dougan and
Juno Reactor, both
contributing
significantly to
the sound of the
films; however,
most these tracks
are hard, if not
impossible to come
by. For the
orchestrally-inclined,
there is this
promo release of
over 45 minutes of
original score by
Don Davis and Erik
Lundborg.
The promo release
contains 25 tracks
of orchestral
tracks - many
originally
composed by Don
Davis, but finally
arranged by Erik
Lundborg. It
has been reported
that Don Davis
simply found
himself a bit
overwhelmed with
writing music for
the sequels and
for THE ANIMATRIX, let
alone another full
score for this
video game.
In stepped Erik
Lundborg,
long-time arranger
for Davis, a
natural and good
choice.
Obviously with 45
minutes of music
being divided by
25 tracks, there
aren't a lot of
long cues. There is only one
track over 4
minutes in length
and the last nine
tracks are all
under 1 minute,
but the CD works
well-enough when
listened through
from start to
finish.
For ENTER THE
MATRIX
Lundborg had to
incorporate and
extend Davis' work
from THE MATRIX,
THE MATRIX
RELOADED, and
"'Final Flight of
the Osiris." -
from THE ANIMATRIX.
The success of the
music experience
here is not only due to Lundborg's
extensive previous
experience with
arranging Don
Davis scores but
also blending his
own creative
talents into the
tapestry...or
musical grid, as
it were. In
the final
analysis, within
ENTER THE
MATRIX we get
just about all of
the musical
elements we'd
expect.
Davis' patented
sound (postmodern
brass flitterings
and layered
blasts, ascending
motifs, all in
tow) for the
franchise is
carried over
without a hitch,
yet with just
enough variation
and freshness to
make it a
worthwhile listen.
Credit has to be
given to Lundborg
for arranging and
conducting a
different
orchestra, the
Seattle Symphony
Orchestra, to
deliver a sound
that is close,
though not as
bright, as the
performances in
The Matrix
Reloaded or The
Matrix
Revolutions.
Suffice it to say
that the score
from ENTER THE
MATRIX will
likely satisfy the
those who truly
appreciate Don
Davis' work for
the franchise.
It contains most
all of the same
beats and textures
yet remains
distinct enough to
warrant a separate
listen...if you
can obtain one of
the rare promos.
While the game
itself proved to
be less than
satisfactory,
probably due the
rush to get it out
the door in time,
the time
constraint didn't
impair Lundborg
from delivering a
high quality score
for it.
Rating:
7/10

|
Track |
Track Title |
Track Time |
Rating |
|
1 |
Kick Jab Stab |
3:04 |
**** |
|
2 |
Get Out of
My Face |
3:18 |
**** |
|
3 |
In My
Path...You're
Dead |
2:22 |
**** |
|
4 |
Eat
This,
Jerk |
3:27 |
**** |
|
5 |
You
Don't
Scare
Me
Bucko |
2:35 |
*** |
| 6 |
I Do Not Like You |
1:57 |
*** |
| 7 |
Fist Fight |
2:29 |
*** |
| 8 |
Smelly Sewer |
1:27 |
*** |
| 9 |
Be Prepared |
1:41 |
*** |
| 10 |
A Sickening Feeling |
4:22 |
*** |
| 11 |
Somethin's Wrong |
3:10 |
*** |
| 12 |
Uh. Oh...What's That? |
3:04 |
*** |
| 13 |
Stuck in the Mud - Escape |
1:23 |
*** |
| 14 |
What Fresh Hell is This? |
2:11 |
**** |
| 15 |
Not Agent Smith...Again? |
2:53 |
*** |
| 16 |
Zen Garden |
1:21 |
**** |
| 16 |
The Big Distraction |
0:50 |
*** |
| 16 |
Elevator is a Trap |
0:36 |
** |
| 16 |
Tear Gas |
0:42 |
*** |
| 16 |
Piano Escape |
0:25 |
** |
| 16 |
Swat to Phone |
0:33 |
** |
| 16 |
No Rest for the Wicked |
0:47 |
*** |
| 16 |
Merovigian's Office |
0:37 |
*** |
| 16 |
Attie Opens |
0:27 |
*** |
| 16 |
Going to Church |
0:52 |
*** |
| |
Total
Running Time |
46 minutes |
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