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“It could be said that this score is not quite as
"epic" as HERO but it is filled with detail, nuance, and variety.
Shigeru Umebayashi continues to demonstrate his knack for combining
both eastern and western instruments for his musical palette.”
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House of Umebayashi
Review by Christopher
Coleman
Director Zhang Yimou's
first foray into the
historical/wuxia drama
genre, HERO, was a
surprising triumph.
His growing fanbase
were ecstatic at word
of his next project,
HOUSE OF FLYING
DAGGERS, which would
also be a film of the
same genre.
Maintaining his flare
for the visual in
HOUSE OF FLYING
DAGGERS, this time
Yimou's story centers
around 3 mysterious
characters who
eventually come to
form a love triangle.
The theme of the film
is actually the
opposite of that of
HERO. The ideals in
HERO were the
considered the
greatest good and love
and life were
sacrificed for them.
In HOUSE OF FLYING
DAGGERS, we have
everything sacrificed
for love. That
emphasis is carried
into the score as
well. Instead of TAN
DUN, Zhang Yimou chose
renown composer
SHIGERU UMEBAYASHI to
write the score for
his more intimate
movie.
Shigeru Umebayashi's
score sits in stark
contrast to Tan Dun's
bold music for HERO.
Here, Umebayashi
builds the score upon
an exotic cast of
instruments of both
eastern and western
origin, but those
which catch the most
spotlight are of the
east. There are three
musical elements that
HOUSE OF FLYING
DAGGERS, the first
half of the score in
particular, appears to
be built upon: the
shakuhachi (Japanese
flute), percussion,
erhu (chinese violin).
The Japanese flute
makes its first
appearance in track 1,
"Opening Titles" but
returns to open tracks
such as "Battle in the
Forest" (5), and then
"No Way Out" (9).
Zhang Ziyi's character
of Mei has her theme
introduced in track 2,
"Beauty Song" which is
sung by Zhang Ziyi but
the song is co-lead by
the always-yearning
erhu. Mei's theme
becomes the strongest
theme of the score and
is arranged and
performed much more
fully by strings at
the conclusion of "No
Way Out." Umebayashi's
use of the erhu seems
to be his main
instrument in
communicating any side
of this love triangle.
In track "Lovers
(Flower Garden)" (8),
we have the main love
theme introduced by
this instrument as
well. Track 10, also
features a solo
performance of this
theme by the erhu.
Underscoring the more
intense scenes,
Shigeru Umebayashi
employs a variety of
percussive
instruments: from the
bellowing taiko drum
to pensive
wood-blocks. One of
the most memorable
scense also features
one of the boldest
cues. Track 3, "The
Echo Game" begins with
a dramatic taiko roll
which is followed by a
blinding barrage of
wood blocks and
seemingly countless
layers of percussion.
The latter half of the
soundtrack reflects
the tone of the movie
as successive
revelations are made
within the plot and
the storylines begin
to criss-cross and
converge to the
finale. Western
strings begin to
dominate the score
while eastern
instruments start to
fade into the
background. The
"Lovers" theme once
lead by the erhu is
played exclusively,
and quite
satisfactorily, by the
string section and
while the construction
of theme is still in
an eastern-flavor no
eastern
instrumentation can be
easily detected in
this rendition. The
soundtrack concludes
with a vocal
performance of the
"Lovers" theme by
famed, operatic, star,
KATHLEEN BATTLE. While
it works well enough
over the end credits,
it did seem strange to
have lyrics sung in
English instead of
Mandarin. Perhaps
another performance of
the "Beauty Song"
would have been a more
fitting conclusion.
In the end, HOUSE OF
FLYING DAGGERS is a
refreshingly intimate
score. It could be
said that this score
is not quite as "epic"
as HERO but it is
filled with detail,
nuance, and variety.
Shigeru Umebayashi
continues to
demonstrate his knack
for combining both
eastern and western
instruments for his
musical palette. Sony
Classical's release 49
minute release
contains the most of
the musical highlights
of the film and are
arranged in
chronological order.
All in all, HOUSE OF
FLYING DAGGERS, is a
solid release and is
an entertaining
listen.
Rating:
8/10

|
Track |
Track Title |
Track Time |
Rating |
|
1 |
Opening Title |
0:58 |
**** |
|
2 |
Beauty Song
(Jia Ren Qu) |
2:32 |
**** |
|
3 |
The Echo
Game |
1:17 |
***** |
|
4 |
The
Peonyhouse |
1:22 |
**** |
|
5 |
Battle
in
the
Forest |
3:26 |
**** |
| 6 |
Taking Her Hand |
1:14 |
*** |
| 7 |
Leo's Eyes |
1:51 |
*** |
| 8 |
Lovers (Flower Garden) |
2:19 |
**** |
| 9 |
No Way Out |
3:59 |
**** |
| 10 |
Lovers |
1:54 |
**** |
| 11 |
Farewell No. 1 |
2:42 |
**** |
| 12 |
Bamboo Forest |
2:36 |
**** |
| 13 |
Ambush in Ten Directions (Shi Mian Mai Fu) |
2:01 |
**** |
| 14 |
Leo's Theme |
2:36 |
*** |
| 15 |
Mei and Leo |
3:06 |
*** |
| 16 |
The House of Flying Daggers |
1:27 |
*** |
| 17 |
Lovers (Mei and Jin) |
4:21 |
**** |
| 18 |
Farewell No. 2 |
2:49 |
**** |
| 19 |
Until the End |
2:55 |
**** |
| 20 |
Lovers (Title Song) |
4:12 |
*** |
| |
Total Running Time (approx) |
49 minutes |
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