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Rambo by Brian Tyler

Rambo

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Rambo (Soundtrack) by Brian Tyler

Rambo
Composed by Brian Tyler
Lionsgate Records (2008)

Rating: 7/10

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Listen to this soundclip of Rambo by Brian TylerRambo's Theme (358 kb)

Listen to this soundclip of Rambo by Brian TylerThe Rescue (359 kb)

Listen to this soundclip of Rambo by Brian TylerThe Aftermath (356 kb)

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“The essence of FIRST BLOOD was the story and the enigmatic character at its center - Goldsmith's theme captured that perfectly back then and, via BRIAN TYLER, still does, even if that character has become more like Freddie Kruger than a war hero."

Franchises Don't Die. They Just...Don't Die.
Review by Christopher Coleman
 

"Nothing is over!  Nothing!" 

John J. RamboThose were John J. Rambo's spirited words back to ol' Col. Troutman...way back in 1982...as Troutman and Rambo stood surrounded in the shot-up police headquarters in "Jerkwater, USA."   Sure seems that Sylvester Stallone has taken those words to heart as he has, some 25 years later, finally brought his two iconic movie franchises:  Rocky and Rambo, to a close.  Now, when I first heard that another ROCKY movie was being made, I wept a little bit inside. ROCKY BALBOA came and went without much of any reaction from me. Some really seemed to feel the Rocky film had a fitting end and well executed. But, well, it sort of knocked me out...with boredom. Then I heard that another RAMBO was being made...and I wept inside...a lot. I was certain a true train-wreck of a film was on its way. Apparently, just like some "heroes" we know, some movie franchises just won't die.  With one of the Hollywood's most beloved composers, Jerry Goldsmith, no longer around to write the score, I wept a little more. I couldn't help but think of the franchise being further butchered by some sort of hyper-electronic-grungy-guitar fest. However, with the announcement of BRIAN TYLER as composer, my inner-tears began to dry up.

Now RAMBO the film? Oh I was certainly right..."butchery." Those who are blood-thirsty-action-aholics are loving this one, but I am not among them. The majority RAMBO is barely watchable...and not because of its gore-factor. No. It's more because of its bore-factor...or even poor-factor. Poor writing, poor acting, poor...you name it. And then comes the last act. Ah...yes. There is your gore-factor x 100! Sylvester Stallone has spoken openly about how it would be wrong to have eased up on the violence because it would be doing a disservice to the reality of what is going on in Burma err Myanmar. Well, his admittance to taking human-growth hormone in order to bulk up for this film makes his statements about "realism" and "truthfulness" drip with the blood of hypocrisy. So, you're getting the picture that I didn't like this film very much and so maybe you're starting to think that this feeling has oozed its way over to my thoughts on the score. Not so fast!

A second ago, I said "poor...you name it." Well, one of the few things I can't follow the word "poor" with here is "score." The only facet of RAMBO washed clean of guilt-blood of poor filmmaking is BRIAN TYLER's music. When it comes to Tyler's score - no tears here. In fact, much love must be given to TYLER for his faithful work and even a half-a-prop to Sly for having enough sense to hire him. Let's face it. RAMBO begins and ends with Jerry Goldsmith's honorable, melancholy theme for the tormented character of John J. Rambo and Tyler's use of this original theme pays proper homage Goldsmith. Ironically, BRIAN TYLER's name has been connected to JERRY GOLDSMITH's before. Back in 2003, Tyler actually replaced Goldsmith's score for the ill-fated film, TIMELINE. The Goldsmith-faithful were none to happy about it either, but we eventually we got Goldsmith's version released and now perhaps Tyler's treatment of RAMBO can help rectify any left-over ill-will. 

For track 1, we get "Rambo's Theme" starts the soundtrack off, as it should. Tyler slows the tempo of the piece down considerably when compared tothe original, perhaps reflecting the advanced years of Rambo or to simple give it a reflective-feel.  In either case it works.  Now after FIRST BLOOD, the following two sequels RAMBO II and RAMBO III, didn't feature the original theme in its simplest form.  Goldsmith's RAMBO II and III featured a very gritty synthesized edge infused with a hint of the Far East and then the Middle East, respectively.  So in 2008, as we get to RAMBO (IV), it's a wonderful start to hear the theme as we first knew it.  Listening to this piece bring back memories of the simple story of John Rambo, a Vietnam Vet treated unjustly, unfairly, and pushed passed his psychological self-limits, and into survival mode. What certainly doesn't come to mind are those things which ultimately define this final chapter: heads being shot off, people exploding on mines, or enemy soldiers (one's we have been setup to completely hate) being gutted like a Burmese yellow-fish.

Beyond the classic Goldsmith quotes, BRIAN TYLER let's loose his own creative talents for RAMBO. Tyler adds a  Listen to a sound clip new theme to the mix and it's a perfect fit - feeling like a natural extension of the original theme.  Check out how well these two themes flow together in tracks 1, and 19.  Throughout the midst of the score, this new theme actually comes to bear the emotional weight of the story.  In addition to his talent to bang out memorable themes (see PARTITION, CHILDREN OF DUNE), he's certainly one of the better crafters of action music. In tracks such as "No Rules of Engagement" (2), "Hunting Mercenaries" (7) and "Rambo Takes Charge" (16), Tyler delivers the right music to match the fast-paced escapes, rescues and slaughters taking place on screen. Tyler builds a brand of tension that is more atmospheric than it is "in your face" in tracks such as "Searching for Missionaries" (6) and Crossing into Burma" (8). He even crosses into Zimmer/Newton-Howard territories (spelled B A T M A N B E G I N S ) in tracks like the aforementioned "Crossing into Burma" and "When You are Pushed" (11). We get a little explosions of reversed samples that have been heavily processed for the dirty, grungy effect...and it works well in helping to convey ol' Rambo's shift from denial to rage. Tyler also manages to bring some measure of setting into his score, which go a long way to establishing the dark, foreboding jungles of Taiwan and Burma. To accomplish this he employs a variety of percussive instruments: drums, wood blocks, slapstick, the occasionally some Asian version of wood flute.

The score is more than action and tension.  BRIAN TYLER makes the most of his new theme to deliver those much needed respites. There are a handful of tracks scattered (or splattered if you're still feeling really Rambo-y) throughout the score and they truly help to round out the listening experience. "Aftermath" (5) features a reflective statement of this new theme as does "The Village" (9).  "Battle Adagio" (18) starts to bring the film and soundtrack to its close and it is one of the most emotional pieces of the entire score. It's here that BRIAN TYLER shines the brightest. With his new theme playing heroically again on strings and brass, we also hear his rumbling percussion, wordless vocals and unique orchestration in full-bloom and we start to tread on the rapturous moments that we all know Tyler has hit before.

The final two tracks that end the soundtrack and, thank God, the Rambo franchise does so with the self-restraint that the film lacked overall. RAMBO fails on so many levels and BRIAN TYLER's score may be the lone highlight.  Yes. I know that Rambo II and III were far cries from FIRST BLOOD as well, but neither of them went to the places that RAMBO has. The essence of FIRST BLOOD was the story and the enigmatic character at its center - Goldsmith's theme captured that perfectly back then and, via Brian Tyler, still does, even if that character has become more like Freddie Kruger than a war hero.  Lionsgate Records release contains the most important cues from the film but arranges them out of sequence to provide the most evenly balanced listening experience.  Those of you who enjoy Brian Tyler's works and those of you quasi-nostalgic over the original First Blood, this effort (the score, not the film) may have something to offer you.


Rating: 7/10

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Track

Track Title Track Time  Rating
1 Rambo Theme 3:34  ****
2 No Rules of Engagement 7:09  ****
3 Conscription 2:55  ***
4 The Rescue 4:04  ****
5 Aftermath 2:33  ****
6 Searching for Missionaries 7:07  ***
7 Hunting Mercenaries 2:44  ***
8 Crossing Into Burma 6:59  ****
9 The Village 1:44  ****
10 Rambo Returns 2:44  ***
11 When You are Pushed 2:26  ***
12 The Call to War 2:52  ****
13 Atrocities 1:40  ***
14 Prison Camp 4:42  **
15 Attack on the Village 3:01  ***
16 Rambo Takes Charge 2:23  ***
17 The Compound 7:48  ***
18 Battle Adagio 3:10  *****
19 Rambo Main Title 3:30  ****
20 Rambo End Title 2:59  ****
  Total Running Time (approx)    

 

 
   

 

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