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Howard's
Sublime Surprise |
Snow
Falling on Cedars
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Snow Falling on Cedars is one of those scores that can catch one completely off guard. It is one of those welcome surprises that happen far too seldom in the world of film music. Even with some sixty-plus scores under his belt and a rather large fan-base, James Newton Howard, has previously never really captured my ear. I have found his scores have always been adequate but just not as enthralling as I might like. This held true until Snow Falling on Cedars. James Newton Howard's score for Snow Falling on Cedars is significant in that it appears to mark yet another stride forward in his maturation as a film score composer. It is not difficult at all to hear why. Snow Falling on Cedars is a truly captivating work from Howard- standing out from among the bulk of film music in 1999. It mixes some of the darker, subtler sonic schemes Howard has become known for with some of absolutely stunning vocals and the inclusion of the Japanese flute, the shakuhachi. I was really unprepared for what this score had to offer. The tone is set right from the beginning with track 1, Lost in the Fog. It is dark, ominous, even intimidating. Howard sculpts a mysterious sonic shroud which takes its time in building up suspense and anticipation. The opening track parallels and equals the beauty of director of photography, John Toll's, incredible opening shot. Track 2, Carl's fishing net features some of the best music on the disc. The use of strings is deep and poignant. Just over a minute into this track, there is a percussive burst that reoccur from time to time throughout the CD. From this point the track begins an overwhelming ascent as voice and instrument converge at the apex. This wonderful piece concludes with a sudden drop off of all music save bells which clang subtly in the background. Howard is able to combine Western and Eastern elements quite effectively for this score. It is predominantly Western in its construction but Howard's employment of the shakuhachi, taiko drums and other Japanese percussion instruments bring a dark and mysterious quality to the score. Maybe
the most beautiful and downright
romantic tracks is track 26, Can I Hold You Now. While it is
romantic and soft, it remains consistent with element of sadness and
tragedy incorporated into the entire score. This track, coming near
the end of the CD, leaves the listener with a positive experience and a
desire to return to this music again and again. In
a year, that the vocal element of film scores has made a strong resurgence
through Duel of the Fates, The Mummy, the 13th
Warrior, and The Messenger, Snow Falling on Cedars adds
considerably to 1999’s choral catalogue.
These vocals are so scary, they are beautiful and so beautiful,
they’re scary- a serious
treat for those who enjoy such scores.
Track Listing and Ratings
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